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Fallen Words, by Yoshihiro Tatsumi
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A NEW COLECTION OF STORIES FROM THE FOREFATHER OF THE JAPANESE LITERARY COMICS MOVEMENT
In Fallen Words, Yoshihiro Tatsumi takes up the oral tradition of rakugo and breathes new life into it by shifting the format from spoken word to manga. Each of the eight stories in the collection is lifted from the Edo-era Japanese storytelling form. As Tatsumi notes in the afterword, the world of rakugo, filled with mystery, emotion, revenge, hope, and, of course, love, overlaps perfectly with the world of Gekiga that he has spent the better part of his life developing.
These slice-of-life stories resonate with modern readers thanks to their comedic elements and familiarity with human idiosyncrasies. In one, a father finds his son too bookish and arranges for two workers to take the young man to a brothel on the pretext of visiting a new shrine. In another particularly beloved rakugo tale, a married man falls in love with a prostitute. When his wife finds out, she is enraged and sets a curse on the other woman. The prostitute responds by cursing the wife, and the two escalate in a spiral of voodoo doll cursing. Soon both are dead, but even death can't extinguish their jealousy.
Tatsumi's love of wordplay shines through in the telling of these whimsical stories, and yet he still offers timeless insight into human nature.
- Sales Rank: #629411 in Books
- Published on: 2012-05-08
- Released on: 2012-05-08
- Original language: English
- Number of items: 1
- Dimensions: 8.70" h x .74" w x 6.46" l, .97 pounds
- Binding: Paperback
- 264 pages
From Booklist
Manga legend Tatsumi is renowned for his grim gekiga stories depicting buffeted souls struggling to survive in harsh post-WWII Japanese society. Here he’s inspired by a far earlier tradition, the performance-based oral storytelling technique of rakugo. Set in Edo-period Japan, these eight simple tales deal in archetypical situations: deadbeat guests hoodwink credulous innkeepers, a merchant tries to balance a wife and a mistress, a popular prostitute creates havoc at her brothel, a nebbish befriends and then tries to outwit the Grim Reaper, a shrewd wife teaches her spendthrift husband a lesson. The humor infusing these yarns is uncharacteristic of Tatsumi, but his fans will recognize the portrayals of ineffectual working-class men striving for a bit of pleasure. In their unstinting depiction of human foibles as well as their starkly effective visual simplicity, these tales aren’t as far from Tatsumi’s groundbreaking gekiga work as one would expect. While it lacks the dramatic impact of his best-known work, this collection attests that at 75, Tatsumi remains committed to exploring new styles within the manga format. --Gordon Flagg
Review
“One of Japan's most important visual artists.” ―The New York Times on A Drifting Life
“A Drifting Life is as involving and thorough as any prose memoir, while remaining as immediate and concise as the best comics. It is, honestly, one of the most significant works the medium has ever produced.” ―The Onion, The A.V. Club on A Drifting Life
About the Author
Born in 1935, Yoshihiro Tatsumi began writing and drawing comics for a sophisticated adult readership in a realistic style he called Gekiga. He has influenced generations of cartoonists and lives in Japan.
Most helpful customer reviews
9 of 10 people found the following review helpful.
"The pleasures of rakugo emerge from this universal, mutable quality"
By Rob
"Fallen Words," or rakugo, as the Japanese call them, are stories handed down throughout the generations to be molded and kindled to the ways of contemporary life. This is Tatsumi at his nicest, as he notes in the afterword saying that most gekiga of the past eschewed humor. True, this has nothing of the grief of "Hell" or "Push Man" but those looking for something lighter will find this mostly enjoyable. The little boy in "New Years Festival," the moment of art transcending mimicry in "Escape of the Sparrows," the final scene with the Reaper in "The God of Death," and a man sharing a kiss with his ex-wife's spirit through a tobacco pipe in "Fiery Spirits" are all memorable. But where's the humor? Sadly, my fat white American body and small mind are not familiar with the "rakugo" of past, so something is sort of lost between cultures. Many of the stories are thirty page build ups to one punch line, and sometimes it works, but sometimes it sits like cold sake.
Listen, the dude is a legend in comix and even the worst story here is worth your time, but expect nothing of the tragic characters or moral ennui of the past gekiga works. D&Q rarely picks a flub, and this is no different. Recommended for the initiated.
4 of 4 people found the following review helpful.
Stories to raise your spirits
By Sam Quixote
Yoshihiro Tatsumi adopts "rakugo", in Japanese meaning "fallen words", a kind of comedic fable-storytelling that was an aural tradition for many centuries in Japan. In these eight collected stories, Tatsumi's masterful storytelling is shorn of its usual tragic veil seen in books like "Good-bye" and "Abandon the Old in Tokyo", instead taking a light-hearted stance tinged with physical comedy.
The stories are all brilliant, bar none: Tatsumi sets all of them in the Edo period so the reader is treated to traditional Japanese culture set in a romanticised past, free of the Western influence of later years. They have a flavour of whimsy and fantasy about them - one involves a drunken artist paying for his bed and board by drawing some sparrows onto a screen. Once sunlight falls upon them, the sparrows come to life! In a different story, a man whose wife and mistress die after cursing one another through a voodoo-type doll, is haunted by their ghosts depicted as fiery spirits; while in another story a penniless man meets the God of Death and hatches a scheme to make money from the Grim Reaper.
The book is set out like a Japanese book so the reader has to read from right to left instead of left to right, though of course the writing is in English. It adds to overall experience of reading Japanese literature.
The aspect of the stories that I think will jar the reader are the endings which are by turns anti-climactic, bizarre, and slapsticky, as if Tatsumi ran out of space and abruptly ended each story on a strange note. This is in fact part of the "rakugo" style of storytelling where each story has comedic elements with the ending providing a punchline to the tale. The stories of "rakugo" were meant to be performed so each story had to have physical comedy as a part of them with the story changing depending on who told it. Tatsumi ambitiously converts this stylistic storytelling into comics and, while the comedy might not translate so well for a 21st century Western audience (hell, even Japanese readers might find the comedy a bit lax), this is all part of the rakugo experience.
But this is a minor complaint as the stories are so brilliantly told that I didn't care about how it ended but how he got there. Tatsumi started writing comics in his teens and is now in his late 70s - the man understands comics so indelibly that reading him is an absolute joy. He understands how to set out a story and tell it perfectly with the right amount of panels - he is a true master of the art and reading "Fallen Words" reminded me once again how much I enjoy reading his comics, as well as reminding me why I love comics in the first place. It's an art form unlike any other and when it's done well, it's the best thing in the world.
While this isn't Tatsumi's best work - read "A Drifting Life" for that - for readers who want to sample his work without perhaps the darker tones of his more well-known books "The Push Man" and the two I mentioned at the start, "Fallen Words" is a fine place to begin. As a long-time fan of his work, I loved all eight strange tales of historical Japan and it's collection of con artists, geishas, ghosts, and artists with themes of death, life, fun, silliness, and love.
And now, I leave you in the capable hands of the next story...
0 of 0 people found the following review helpful.
A little too predictable ...
By Echezona Udeze
Tatsumi's A Drifting Life was brilliant ... astounding ... but the stories here fail to either entertain or enlighten me ... I believe he is talented but needs to try something maybe a bit different ...
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