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The Cipher, by Kathe Koja
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A hole of living black... A promise of revelation... A journey into the eye of darkness... THE CIPHER: Nicholas is a would-be poet and video-clerk with a weeping hole in his hand--weeping not blood, but a plasma of tears... "IT WANTS ME, NAKOTA. IT WANTS ME." It began with Nakota and her crooked grin. She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse... "REACH IN, NICHOLAS. REACH IN..." Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession--through its soothing, blank darkness into the blinding core of terror...
- Sales Rank: #1240269 in Books
- Published on: 1991-01-05
- Released on: 1991-01-05
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 7.00" h x 4.50" w x 1.00" l,
- Binding: Mass Market Paperback
- 356 pages
From Publishers Weekly
Down-and-out Nicholas and his friend Nakota one day discover a black hole in the floor of an abandoned storage room in his apartment building, which they quickly christen the "Funhole." The two set out to see what happens when they drop various items into the hole, whetting its appetite with insects, a mouse and a human hand, which all come back violently rearranged. Next, they lower a camcorder into the hole to record the action within. The videotape they retrieve is spellbinding, but there's a catch: what Nicholas sees is different from everyone else's vision. To Nakota the hole means change, because whatever is dropped into the Funhole emerges transformed-- if it ever emerges. Mesmerized by the Funhole, she claims that Nicholas is the only one who can make things happen around it. For Nicholas himself, the hole is a phenomenon that forces him to face his miserable, aimless life. Koja has created credible characters who are desperate for both entertainment and salvation. Inaugurating Dell's new Abyss Books series, this powerful first novel is as thought-provoking as it is horrifying.
Copyright 1991 Reed Business Information, Inc.
From Booklist
Winner of both a Bram Stoker Award and a Locus Award in 1991, Koja’s debut has yet to lose one iota of impact. It’s a marvel of bleak economy: Nicholas, going nowhere in his video-store-clerk job, discovers a foot-wide black vortex in an old storage room of his apartment building. His caustic sometime-lover, Nakota, christens it “the Funhole” and begins inserting experimental items: a jar of insects (they combine and mutate), a live mouse (it is ripped apart), a human hand from the morgue (it reanimates), and, finally, a video camera, which records a self-eviscerating figure of awe-inspiring dreadfulness—Koja only teases its description. Nakota becomes obsessed with the Funhole (a place of “blood and sex and revelation”) and is driven mad when it is Nicholas, not her, whose flesh becomes gloriously infected. The grungy, sweaty two-person drama, delivered in Nicholas’ vulgar ramble, widens to include additional viewers of the videotape who become fast new acolytes. Seemingly influenced equally by Clive Barker, David Cronenberg, and a particularly distasteful nightmare, this entry into the body-horror canon carries with it the kind of fatalism horror readers prize—it’s going to end badly, for sure, but just how badly? Currently available in an e-book version from multiple sources, this is well worth rediscovering, if you’ve got the guts. --Daniel Kraus
Most helpful customer reviews
0 of 0 people found the following review helpful.
A dark journey into the heart of human suffering.
By TheDarkRoom
The inaugural novel of Dell's Abyss horror line is a doozy. A darkly nihilistic story of transformation, lost hope, and manipulation, it is at times a bit too oppressively bleak and navel-gazing for its own good, but Koja's poetic, stream-of-consciousness prose and fertile imagination keeps things moving at an interesting pace. The horrors of this book are not the horrors of the external, of what can hurt you from outside, but of the horrors that arise from within the abyss of your own heart, and that, as Nicholas, the protagonist, says, is the scariest thing of all. A really powerful and unique novel that perfectly set the tone for the rest of the Abyss imprint.
1 of 1 people found the following review helpful.
"It was like a cockroach dreaming of the smell of disinfectant."
By Amazon Customer
Kathe Koja, at least in the past, has a reputation for furthering the genre known as the New Weird. Some say her work helped pioneer the field. This book is her first novel, published to much acclaim, including winning the Horror Writers of America Bram Stoker award and the Locus Award for First Novel, and receiving the first nomination by a horror novel for the Phillip K. Dick award for Best Paperback Original. This all occurred several years ago; as of 2009, I needed to order a used copy online to get a hold of a copy. Having read The Cipher, I appreciate these turn of events.
Koja's first novel contains a dusky, smoke-laden, sour-tasting narrative of chipped nail-polish and second-hand-store bought cheap clothes, where jaded, artistically-inclined, barely surviving young slacker/hipsters wander in from their low paying jobs to curl up within their barely livable urban dwellings, engaging in spiteful, malign relationships with each other, buoyed by intoxicants and mean intentions. In this midst of this mix, a gateway of unknown direction and anomalous effect erupts into their lives like an unforeseen pustule found poking out of from your cheek in the bathroom mirror one morning. The gateway's transmutative effect on the objects thrust around and within it, and subsequently the characters' own bodies and lives form the abnormal body of this very unconventional novel.
The narrator's off-kilter, at times almost stream-of-consciousness speech and Koja's striking vocabulary turn this book into an irregular, corrugated ride. It's like driving by a car wreck between a school-bus full of orphans and nuns and an hundred-foot long cow filled with gangrene and pus; either you can't look away or you'd never attempt to approach it in the first place, once you learned of its nature.
And that's ultimately why The Cipher occupies its place in the publishing world: people who crave this type of fiction will revere it especially for its style and resulting status; others of a more mainstream, conservative bent will walk past with a slight shiver and a furrowed brow. I'm not sure if this kind of reaction does justice to its genre. Other New Weird books, like China Mieville's Perdido Street Station brought readers into this type of speculative fiction, making it better known, creating an increased audience. I appreciated the mood and place The Cipher brought me to, being a reader not easily scared away from unpleasant and alarming writing, but the novel's current near out-of-print status begs the question: if the author's portrayal of his or her unique vision drives most people away, is it truly successful?
0 of 0 people found the following review helpful.
Body horror at its best
By Carla H.
Are we just the sum of our physicality? Are we more? And is that physical barrier between what is me and the rest of the world breachable? Should it be?
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