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With bathhouses, "cruising" in urban areas, and private clubs built specifically for anonymous erotic encounters, the radical sexuality of gay American men in the 1970s is often seen as a shameful period of excess that led to the AIDS crisis.
In Beyond Same, activist Patrick Moore claims that when the gay community divorced itself from this allegedly tainted legacy, the result was an intergenerational disconnect between younger and older gay men. The original participants in the 1970s' sexual culture were unable to impart a sense of pride and identity to younger generations. Indeed, one reason for the current rise in HIV, Moore argues, is precisely due to this destructive disconnect.
Moore encourages gay men to reclaim the entirety of their heritage-including AIDS-so that the gay community's prevailing sense of shame and isolation will change. Lifting the veil of AIDS, Moore recasts the gay male sexual culture of the 1970s as both groundbreaking and creative, provocatively comparing extreme sex to art. In the process, he presents a powerful yet nuanced snapshot of a maligned, forgotten era, with its heady mix of sexual liberation, artistic celebrations of homosexuality, and political anger fueled by the prevalent homophobia.
Moore's critical work attempts to rescue gay America's past, present, and future from a disturbing spiral of destruction and AIDS-related shame.
- Sales Rank: #2532297 in Books
- Brand: Brand: Beacon Press
- Published on: 2004-01-22
- Released on: 2004-01-22
- Original language: English
- Number of items: 1
- Dimensions: .99" h x 5.78" w x 8.85" l,
- Binding: Hardcover
- 264 pages
- Used Book in Good Condition
From Publishers Weekly
A talented novelist who for many years was director of the Estate Project for Artists with AIDS, Moore (This Every Night) offers a provocative defense of gay male sex culture in the 1970s as well as a jeremiad on the AIDS holocaust of the 1980s. The most exciting writing here details New York's provisional "theaters of pleasure" (sex clubs like The Mineshaft, dance clubs such as The Saint) with novelistic atmosphere and a canny ear for interview and synthesis, while Moore's portraits of artists lost to AIDS are also first-rate. Writers Cookie Mueller and Assotto Saint emerge as more interesting than their work, while the late David Wojnarowicz's memoir in particular is vaunted. Art world hackles will rise at Moore's unsympathetic account of gallerist Andrea Rosen's administration of the Felix Gonzalez-Torres estate, as Moore raises the specter of dealers and collectors profiting from the work of the dead and "de-gaying" it in the process. He also recreates the heady, vivid ACT UP era of street activism, recalling how the pink-and-black "Silence = Death" poster ignited the conscience of a generation. Some of Moore's arguments feel more like assertions, in particular his statement that the wild sex pioneered by gay men during the '70s was itself a form of art, although his argument is partly salvaged by a deft reading of Fred Halsted's threatening, aimless porn, and by his witty follow-up that, during the '80s East Village art boom, "art became sex." As a detailed examination of the ways in which rage gives depth to art, Moore's book has no peer in recent memory.
Copyright 2003 Reed Business Information, Inc.
Review
Patrick Moore presents us with a concept so radical, so transgressive that it will startle most readers . . . We still have much further to go to comprehend that sexual activity and pleasure can be not just an inspiration, but the source of creativity. - from the Foreword by Michael Bronski, author of Culture Clash: The Making of Gay Sensibility
"Patrick Moore boldly argues that the promiscuous gay men of the 1970s were actually artists and that AIDS derailed an esthetic community and sexual adventure. This quietly personal book reclaims the past for young gay men and makes it usable."--Edmund White, author of A Boy's Own Story
"A personal, tender, honest book about a past that can never be regained, but must not be forgotten." --Sarah Schulman, author of After Delores
"Patrick Moore reminds us of the extravagant creativity of gay self-fashioning in the 1970s, in the hope that such historical awareness can help us bring about an extravagant, creative gay future."--Carolyn Dinshaw, director of the Center for Gender & Sexuality, New York University
"Moore's exceptional study considers those men who fashioned an underground gay life that still resonates today."--Felice Picano, author of Like People in History and a founding member of the Violet Quill Club
About the Author
Patrick Moore has worked extensively on gay issues as both an activist and a writer. The author of two novels, This Every Night and Iowa, he was the founding director of the Estate Project for Artists with AIDS in New York City. Moore currently lives in Los Angeles, California, and is developing projects for film and television.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Keith A Hunt
Great history of the rise of Gay bars and the kink scene.
5 of 5 people found the following review helpful.
a very honest well researched book
By Kotaro
Moore does an excellent job of highlighting how one-sided much of the discussion has been regarding 70's gay urban culture and while one may not agree with all of his statements, it is a thoroughly interesting and informative piece with great depth and fine writing. Gay artists and performers of the 70's and onward are discussed at great length, which will be of interest to many.
10 of 11 people found the following review helpful.
A compelling account of the gay sexual revolultion
By A Customer
This is an extraordinary book. As a gay man in my 30s, I've never really connected with the gay sex world in the 70s although I've always been interested in it. The books that I've read about the 70s have been dry and academic but Moore's book brings the era to life. I was riveted both by the profiles of some of the characters of the time and by the idea that sex can be a kind of art. It should be required reading for all gay men.
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