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The Secret Supper, by Javier Sierra
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'I cannot recall a more dangerous and tangled puzzle than the one I was called upon to solve in the New Year of 1497...' An anonymous Soothsayer has written to Rome suggesting that Leonardo da Vinci has encrypted a secret, blasphemous code in his painting The Last Supper. Father Agostino Leyre, an Inquisitor and expert in cryptography, is dispatched by the Pope to the monastery of Santa Maria delle Grazie to decode the painting. Should he succeed, da Vinci will face trial for heresy - and certain execution. Full of dark surprises, The Secret Supper depicts a deadly game of wits between the brilliant Leonardo da Vinci and the man intent on uncovering the shattering secrets behind one of the most famous Christian masterpieces.
- Sales Rank: #844344 in Books
- Brand: Atria Books
- Published on: 2006-03-21
- Released on: 2006-03-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.16" w x 6.00" l, 1.04 pounds
- Binding: Hardcover
- 329 pages
- Great product!
Amazon.com Review
The Da Vinci juggernaut rolls on, this time in the capable hands of a bestselling author in the Spanish-speaking world. The Secret Supper has been ably translated by Alberto Manguel, author of A History of Reading, that delightful revelation that squiggles on a page are words, and words make stories. Set in 1497 Milan, at the time of the painting of the Cenacolo, or The Last Supper, in the refectory of Santa Maria delle Grazie, Sierra has created a tale of religious fanaticism, betrayal, murder, Church politics, artistic chicanery and mystery to confound the reader.
Fra Agostino Leyre, a Papal Inquisitor, is sent to Milan to confirm--or not--the messages of the "Soothsayer," who alleges that Leonardo Da Vinci is a heretic and has hidden heretical messages in his painting of The Last Supper. Leonardo is a figure larger than life, literally. A blue-eyed, tall, handsome man, always dressed in white, he is surrounded by faithful students and friends who are his acolytes. His brilliant mind, ranging over a multitude of ideas, has gained him a reputation for "hiding heterodox ideas in paintings apparently pious."
What Father Agostino follows is a labyrinthine path through alliances and rivalries, differences of opinion about Leonardo and a discussion of the heresy of the Cathars. They are a fascinating sect, more extra-Christianity than Christian heretics. Their practices are based on a belief that certain deprivations--primarily food and sex--will purify and make them worthy. Sierra is a very fine guide, taking the reader through palaces and monasteries rife with intrigue and typical of the flowering of intellect that came after the Dark Ages. It is a time when "Suddenly, from one day to the next, Plato's Greece, Cleopatra's Egypt and even the extravagant curiosities of the Chinese Empire that Marco Polo discovered seemed to deserve greater praise than our own Scriptural stories." Dangerous for the incumbency.
A compelling case is made that Leonardo's heretical beliefs are there for all to see in The Last Supper, if only we know how to find them. Sierra gives us the key--and keeps the suspense going right up to the end of the book. It isn't necessary to believe any of it, or even care if it's true, to enjoy this pilgrimage through another time and place. --Valerie Ryan
From Publishers Weekly
Set in the late 15th century, Sierra's first book translated into English revolves around a papal inquisitor's investigation into Leonardo da Vinci's alleged heresies and offers a new way of interpreting The Last Supper. After receiving a series of cryptic messages from "the Soothsayer," who warns the 15th century church that "art can be employed as a weapon," the Secretariat of Keys of the Papal States dispatches Father Agostino Leyre on a twofold mission to Milan: identify the Soothsayer and discover what, if any, messages da Vinci is hiding in the painting. Leyre, who narrates, views the in-progress Last Supper at the Santa Maria delle Grazie and becomes fascinated. He makes a series of sometimes muddled discoveries about the painting, leading up to his interpretation of the painting's true meaning (not revealed until the last line of the last page). Those not well versed in Catholic history may have trouble following the many subplots involving factionalism and dissent within the church. The combination of code breaking, secrecy, chicanery within the Catholic Church and a certain artist is by now a familiar one, but Sierra's book, already a bestseller in Europe, is a fresh contribution to the da Vinci industry. (Mar.)
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
"Sierra's narrative moves smoothly, fluidly...[and makes] art history palatable and exciting." -- Los Angeles Times
"A fascinating yarn and very well told.... Speaks volumes about Leonardo's mastery with a brush." -- San Francisco Chronicle
"For fans of religious conspiracy and reinterpretations of religious history." -- The Washington Post
"Offers a new way of interpreting The Last Supper...[and] a fresh contribution to the da Vinci industry." -- Publishers Weekly
"A most satisfying entertainment....The monastic life has not been depicted as vividly by any novelist since Umberto Eco's bestselling Name of the Rose." -- Daily News (New York)
Most helpful customer reviews
0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
Loved it...I like anything that involves Davinci
20 of 20 people found the following review helpful.
Lower your expectations....
By sb-lynn
I am a fan of the recent spate of historical mysteries. Put the words Templar or Grail in the title, and I'm going to take a look.
Saying that, I was disappointed in this book.
Brief summary, no spoiler:
This is the story of Agostino Leyre, a Papal Inquisitor who is telling the story of his assignment to investigate Leonardo DaVinci, and his painting of The Last Supper (the Cenacolo).
This was a time of religious intrigue and violence, and anyone who opposed the Catholic Church was deemed a heretic and subject to horrible punishment. In order to express their beliefs, many artists used symbols in their works, both as messages to their followers and future audiences.
This book does a good job of explaining some of the mysteries surrounding the Last Supper. You learn a lot about the Cathars, and about what life was like in the time of DaVinci.
However, perhaps partly because this is a translation, I found this book slow-going. I had to push myself to finish, even though I was curious how Sierra was going to resolve his "puzzle".
I ended up thinking that Sierra gives an interesting and enlightening interpretation of what he believes DaVinci was trying to say in his masterpiece; but the puzzle was very convoluted and there is no way the reader could've figured it out on his own.
Overall, I am glad I read this book. I learned a lot. But I was often bored, and thought the hype surrounding this book didn't serve it well.
Recommended for those who enjoyed the DaVinci Code. This book's denouement is just as clever, if not more so - but the ride getting there isn't nearly as much fun.
18 of 18 people found the following review helpful.
A thrilling narrative steeped in historical ambience, atmosphere, and mystery
By Bookreporter
Although not yet a household name in the United States, Javier Sierra is extremely well-known in other countries. This is due in part to three nonfiction books and four European bestsellers, of which THE SECRET SUPPER is the latest. Its publication is benefiting from some well-deserved word-of-mouth publicity and will no doubt receive additional scrutiny as the result of the controversy surrounding the release of the so-called "Judas Bible."
THE SECRET SUPPER is characterized by its foundation, which consists of Sierra's careful, almost obsessive, research concerning the painting of The Last Supper by Leonardo da Vinci. There have been many works of fiction over the past few years that have had as their basis --- in whole or in part --- the works of da Vinci. Unlike most of them, however, THE SECRET SUPPER takes place entirely in the past, specifically in the late 15th century, and features da Vinci as a central --- if enigmatic --- character of the piece.
The narrative is set forth primarily from the viewpoint of Friar Agostino Leyre of the Order of St. Dominic and an instrument of the Spanish Inquisition. Leyre is dispatched to Milan after Church officials receive a number of enigmatic messages from a mysterious individual calling himself "The Soothsayer," who reports that the painting of The Last Supper being created by da Vinci contains symbols and clues that have special meaning to a group of heretics previously thought to have been exterminated. Leyre is confronted with several mysteries upon his arrival in Milan, including the identity of The Soothsayer and determining if da Vinci is actually purporting heresy or having a bit of fun at the expense of the Church --- or both.
A series of murders in Milan that seem to center on the painting have Leyre perplexed as well. Motivations are always suspect and trust is a fragile thing, as he attempts to divine the secrets of the painting. Meanwhile, his own faith --- along with all that it represents --- is being called into question.
THE SECRET SUPPER is written very much in the European style, with Sierra's unhurried narrative taking its time, soaking up historical ambience, atmosphere and mystery, and slowly spooning it out to the reading audience.
While Sierra is aware and respectful of history's role, he does not get bogged down in it, and as a result his descriptions (both implicit and explicit) of his surroundings are first-rate. Additionally, Sierra provides a Cast of Characters at the end of the book, an invaluable aid to the reader in keeping track of who's who.
With a novel as good as THE SECRET SUPPER, readers will be wanting second portions. Any chance of those other Sierra novels being published on these shores?
--- Reviewed by Joe Hartlaub
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